Matters 8
Gérard Grisey: “... our model is sound not literature, sound not mathematics, sound not theatre, visual arts, quantum physics, geology, astrology or acupuncture.”
Sound as mutual matter, it shall determine everything else: constellation and process, they ought to emerge from it, equitable, because without unfolding in time even the most sounding remains silent.
How do I find what I like?
Not at all, as I like what I find and I'm searching without knowing for what. It appears and queries me wordlessly, the talk develops within the experiment, the algorithms of transformation and organisation. Whatever in the end maybe – only just – can pass or, simpler then, can't pass in the face of that, what already exists and whereby the new scratches along trundling – that is determined by another matter: me – and in turn not; contingent and only seemingly private are memory and decision.
credits
from Sonic Alchemy,
released October 31, 2023
Daniel Mayer (*1967) is a composer with a focus on works including electro-acoustics. He is active in the fields of sound synthesis and generative computer algorithms developing dedicated software. His music has been performed at numerous international festivals of electronic and contemporary music and was rewarded with the Giga-Hertz production prize for electronic music 2007 at ZKM Karlsruhe. He finished studies of mathematics, philosophy, and composition with Gerd Kühr at the Universities of Graz, Austria. Postgraduate study at the electronic studio of the Music Academy of Basel with Hanspeter Kyburz. Since 2011 working at the University of Music and Performing Arts Graz/IEM, since October 2016 visiting professor for electro-acoustic composition. Since 2016 curatorial work together with Gerhard Eckel and Marko Ciciliani for the concert series signale-graz. In the winter term 2022/23, he was Edgard-Varèse guest professor at TU Berlin. daniel-mayer.at
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